Saxophonist Charlie Parker is considered by
many to be the best musician in the history of jazz. He is one of the few jazz
musicians who could rival the technical brilliance and originality of Louis
Armstrong and Art Tatum. Parker’s drug-addicted life and early demise is a jazz
legend and a tragic example, which would be repeated by several jazz musicians
who followed him.
Parker was nicknamed “Yardbird,” which was
eventually shortened to simply “Bird.” Many of his compositions, including
“Yardbird Suite” and “Ornithology,” would be inspired by that nickname.
Charlie Parker was born in Kansas City , Missouri ,
in 1920. He began to play the saxophone at age 11, and joined a musicians’ union instead of attending high school. He practiced diligently in the late 1930s,
and by 1938, he was good enough to join the band of pianist Jay McShann. While
in his teens, Parker had become addicted to morphine after being administered
the drug in the hospital after a car accident. His morphine addiction would lead to
a heroin addiction, which would contribute to his early death at age 34.
Parker quit the McShann band in 1939 and headed to New York City
to begin a solo career. In the early forties, Parker was experimenting with
soloing methods. His experimentation constituted some of the early developments
of bebop music, a subgenre of jazz with which he would forever be linked. He
would soon be collaborating with Dizzy Gillespie, Max Roach, Bud Powell, and
others. In summer 1945, Parker and his friends recorded “Ko-ko” and other sides
at a session for the Savoy
label. That session and its recordings would become a watershed moment for
bebop music.
By this time, Charlie Parker’s heroin addiction was
causing him to miss gigs, and he resorted to busking on New York City streets to support his
addiction. Parker then moved to Los
Angeles, where heroin was difficult to find, and he
began to drink heavily to compensate. He was often in bad shape at recording
sessions and needed, at times, to be physically supported by others. Parker
moved back to New York City,
where he died in 1955.
The best original albums and collections of Parker’s music include, “Charlie Parker with Strings” (1950), “Charlie Parker with Strings Vol.2” (1950), “Charlie Parker” (1953), “Big Band” (1954), “Summit Meeting at Birdland” (1977), “At Storyville” (1985), “The Genius of Charlie Parker” (1954), “The Charlie Parker Story” (1956), “The Genius of Charlie Parker” (1957), “Anthology” (1974), “Charlie Parker on Dial” (1974), “Bird/The Savoy Recordings (Master Takes)” (1974), “The Very Best of Bird” (1977), “The Complete Studio Savoy Recordings” (1978), “Bird: The Complete Charlie Parker on Verve” (1988), “Bird: The Original Recordings of Charlie Parker” (1988), “Masterworks 1946-47” (1990),” Yardbird Suite: The Ultimate Collection” (1997).
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