A celebration of the best popular music of the 20th century
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Thursday, January 31, 2019
Tuesday, January 22, 2019
Roy Orbison Biography and Album Guide: In Dreams
Roy Orbison was
one of the early greats of rock and roll music, who is now best remembered for
his hit song, “Pretty Woman.” In the fifties and early sixties, however,
Orbison had a slew of hits and was one of the most successful of the early
rockers.
Orbison was born
in Vernon, Texas, in 1936. By the late fifties, Orbison had become a member of
Sun Records’ legendary roster of musicians, which included Jerry Lee Lewis,
Johnny Cash, and Carl Perkins. Sun Records had just recently lost Elvis Presley.
Like Cash and Perkins, Orbison was a rockabilly performer in his earliest
incarnation, recording the rockabilly classics “Ooby Dooby,” “Trying to Get to
You,” and “Go! Go! Go!”
By the Sixties,
Orbison was recording for Monument and added pop ballads to his repertoire with
the hits, “Only the Lonely,” “Running Scared,” and “Crying.” In 1964, Orbison
would record his biggest hit, “Pretty Woman.”
Orbison would
continue to record singles for the remainder of the sixties and seventies but
would not score another major hit. Orbison would become a member of The
Travelling Willburys in the early eighties along with Jeff Lynne, Bob Dylan,
George Harrison, and Tom Petty.
Orbison’s best
albums include “Crying” (1962), “In Dreams” (1963), “Orbisongs” (1965), “Cry Softly Lonely One” (1967), “Roy Orbison’s Many Moods” (1969), and “Mystery Girl” (1989).
Saturday, January 19, 2019
Sam and Dave: Soul Men
Sam and Dave are perhaps the finest vocal
duo in the history of soul music. The duo was part of Stax Records’ fine roster
of soul recording artists. Sam Moore was born in Miami, Florida, in 1935, while
his partner, Dave Prater, was born in Ocilla, Georgia, in 1937. The two men
joined forces and formed Sam and Dave in 1961. At Stax Records, the duo was
supported on recordings by the Stax house band, Booker T and the MG’s, and was
often provided with stellar songs by the songwriting team of Isaac Hayes and
David Porter.
After the duo had recorded a series of
unsuccessful singles for Roulette Records, Jerry Wexler of Atlantic Records
sent them to Memphis, Tennessee, to try their luck with Stax. Between 1965 and 1968, Sam & Dave would
establish themselves as the most exciting duo in soul music, scoring big hits
with tunes such as “Hold On! I’m Comin’,” “Soul Man,” “Soothe Me,” “You Got Me
Hummin’,” and “I Thank You.”
By the late sixties, the duo’s waning
commercial success and increasing infighting led to Sam & Dave splitting
up in 1970.
Prater and Moore embarked on ill-fated solo
careers before the first of many Sam & Dave reunions. The 1980 film, “The
Blues Brothers,” which featured the Sam and Dave hits “Soul Man” and “Soothe
Me,” regenerated interest in the duo, but continuing conflict prevented the men
from taking full advantage of their second chance at success.
During the Eighties, Prater actually hired
another singer to pose as “Sam,” and together they toured the country as Sam
& Dave, much to the frustration of Sam Moore. David Prater sadly died in a
car accident in Georgia in 1988, at the age of 50.
The duo recorded several superb albums for
Atlantic/Stax, including “Hold On, I’m Comin’” (1966), “Double Dynamite” (1966), “Soul Men” (1967), and “I Thank You” (1968).
Tuesday, January 15, 2019
Leon Redbone Album Guide
Leon Redbone is one of the most unique
musical performers of the last 40 years. He is one of the few current
performers of ragtime music, although he is generally classified as a
folk/blues singer. Redbone was born in Cyprus in 1949 and appeared in the
early Seventies as something of a musical curio of mysterious origin.
In 1975, Redbone recorded his debut album,
the delightful and utterly original “On the Track,” an album of cover songs
that were in some cases more than 50 years old. The album is a collection of
blues, jazz, and ragtime standards sung in Redbone’s signature deep nasal baritone.
In 1977, the album “Double Time” appeared, featuring more blues and ragtime
classics, including Blind Blake’s “Diddy Wah Diddy.”
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Saturday, January 12, 2019
Joe Walsh: Life's Been Good
Singer/songwriter/guitarist
Joe Walsh embarked on his solo career following the release of The James Gang’s
“Thirds” album. Walsh had led the James Gang through the initial phase of the
band’s career, in which they recorded three brilliant albums with Walsh as
frontman. Clearly, Walsh had a stellar history to live up to. He came out of
the gate under the guise of “Barnstormer,” a death-defying, stunt-performing
pilot of early 20th-century America. Walsh’s barnstormer persona would
be featured on the album covers of his first three solo albums.
His debut
album, “Barnstorm” (1972), was a mix of the hard rock that Walsh had become
famous for with the James Gang, with ballads and more progressive-rockish
selections with an emphasis on keyboards. The album was a solid effort that
included the semi-hit rocker, “Turn to Stone.” Walsh’s sophomore solo effort,
“The Smoker You Drink, The Player You Get” (1973), was a stronger showing that
featured more of Walsh’s signature hard rock, including the big hit, “Rocky
Mountain Way,” and another fine rock gem, “Meadows.” Walsh’s third solo outing,
“So What,” was another solid hard rock collection.
In 1976,
the live album “You Can’t Argue with a Sick Mind” was released, featuring live
renditions of material from his previous three solo albums, including an epic
18-minute version of Rocky Mountain Way.
By this
time, Walsh had joined the Eagles and been included on their mega-successful
“Hotel California” album. Following the release of the Hotel California album,
Walsh went back to record perhaps his best solo effort, the often comedic “But Seriously, Folks,” a fine collection of songs which includes some impressive
instrumentals and perhaps his best solo recording, the satirical “Life’s Been
Good.”
Friday, January 4, 2019
Johnny Otis: R&B Pioneer
Otis was
one of the most important artists in R&B history. He was a bandleader,
promoter, vocalist, club owner, drummer, and producer, and he helped launch the
careers of such R&B legends as Johnny Ace, The Robins, Little Esther, Etta James
and many others. These singers recorded with his band and toured as part of his
entourage.
Most of Johnny Otis’ records were released as the “Johnny Otis Quintette” or
“The Johnny Otis Show. Otis’s biggest hit was, “Willie and the Hand Jive,” a
song which has been covered by scores of other artists.
That song
and others are best heard on the compilation albums, “The Original Johnny Otis
Show” (1978), and a number of other compilations of early rock and roll such as
the terrific compilation featuring Otis and many others, “Loud, Fast and Out of
Control: The Wild Sounds of ‘50s Rock” (1999).
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